I love cement houses
painted pink. At dusk
they take on the hue
and texture of
real skin. Pink is
a persistent theme
in my life. In
New Orleans, I had
a pink hotel room
two blocks south of
the Desire trolley line,
in Playa del Carmen
one replete with geccos,
and in Tartus
a pink room
a few meters up
from the Mediterranean
shore, all with
peeling walls
and smelling slightly of
urine and liquid
soap. I felt like
Ronald Firbank in
Rome, embarrassed
to have company,
or like an incestuous
cousin hidden in
the back closet of
a play by Tennessee
Williams. The room
in Tartus had a balcony
and there I met
two lovely guys from
Shiraz. I'll always
remember the light
touch on the back of
my neck while
one of them gestured
with the cup of
his other hand, around
a spit of land,
saying how Beirut was
there, just around to
the left. Not south,
but left. That body
and place burn
with like gesture,
as simple as reaching
for nourishment, knowing
where to find it.
Later, there was
a pink pension in
Cesme, and on Chios
a pink bar in which
to practice subtle
social graces
with a handsome
English couple.
The sea and sky
were not pink:
And my heart was
black and made to stream
like so many ants
in an alien alphabet.
I'd come to listen after
poluphloisboios, and so
walked around to
the left side of
the harbor, snuck down
behind the police station
in among the broken boats
and sat to see if
I could hear the sound
that Homer heard,
the slap of the sea's
rhythm, my own beating
heart and the sexual
streak of starlight gliding
like a phantom through
my murmurs.
Dreams are possessed
of pink orality, the nubs
of flesh where nerves are
bunched are what
any lustful tongue
pursues, the language of
laving the language
itself: This alone is
love. Like the touch of
the red hand at Tulum
a sign, completely
beyond interpretation,
for no sake but for life,
the heart veers
always, yet its trail
can be traced to the City
of the Left Hand Path,
where death is close
whose pollinating tears
give cause to sting
and beauty is always
on the quick.
*
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